There he was, with his trademark innovations. Each rendition had his total emotional involvement. He was immersed in each of them like only he could and the tempo was slow for most of the songs (as he thinks it should ideally be). His Ragam-Taanam-Pallavi was unique and was delivered in parts. Thaniyaavarthanam came very early in the sequence unlike the usual practice with other artists.
The mike/loud speakers were not helpful at times, with their blaring high-pitched shrill noise, irritating him. The organizers need to handle the acoustics better. In this age, we have better technologies and there is no reason for such noise to get generated.
Here are some of the renditions:
- Sukki evvaro - Kaanada (RTP - part)
- Sarasuda - Kaanada (RTP - part)
- Sri Maathrubutham - Kannada
- Enta veduko o raghava - Saraswathi Manohari
- Kanchi Kamakshi - Bairavi